Dundee Urban Orchard

Growing in a greenspace near you

The man who planted trees

‘The Man Who Planted Trees’ (1953) is a short story by Jean Giono, one that provides a rich seam of imagination for DUO’s social and ecological engagement within Dundee.

The Man Who Planted Trees

The Man Who Planted Trees

In the story, Elzeard Bouffier, a solitary and predominantly silent shepherd, dedicates his life to reforesting a region of ‘barren and colourless land … where the Alps thrust down into Provence’. (This reminds us of Albert Camus’ definition of the absurd artist who, with an ecological twist, ‘gives the void it’s colours.’)

The first time the narrator encounters Bouffier he describes the scene as follows: ‘I thought I glimpsed in the distance a small black silhouette, upright, and I took it for the trunk of a solitary tree. In any case I started walking towards it. It was a shepherd. Thirty sheep were lying about him on the baking earth.’

Over the years the narrator returns to visit Bouffier and recounts his experience of witnessing a once barren land being returned to forest.

DUO – over a three-year period and in collaboration with many individuals and community groups across the city – hope to achieve a similar form of regeneration within Dundee. Unlike Giono’s story, however, we celebrate the collective action of orchard planting, not the singular celebration of one man planting trees. For this reason, and orchard by orchard, our ‘black silhouette’ figure (as seen in our logo) will be joined by many other characters: school children, gardeners, musicians, jugglers, and various orchard loving animals and plants.

From Shadow to Reality - Gallery as Cold Store, City as Orchard, 2014

From Shadow to Reality – Gallery as Cold Store, City as Orchard, GENERATORprojects, 2014

In addition to the general theme of reforestation we appropriate other visual, linguistic and mythological elements from The Man Who Planted Trees. We use the first siting of Bouffier as a ‘black silhouette’ to indicate future urban orchard sites – these as ‘shadow markers’. We also incorporate the shepherd image into our ‘tracts’ – for reasons that will become clear in due course. The silhouette, as shadow figure, also draws attention to the provisional nature of our project and the possibility that Dundee as an orchard city might, in the long run, remain unplanted.

Here we acknowledge the socio-political context in which we live and the dominant model of urban regeneration which prioritises economic growth over and above social and environmental benefits. Our commitment to sustainability (which re-prioritises social and environmental benefits over and above economic growth) may, to some people, seem foolish. If so, Bouffier provides an appropriate name for our activity as we dedicate ourselves to the buffoonery of Bouffier!

Only time will tell. In the meantime we plant trees.